Made in Calgary

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Post-production

Edit, colour, motion, sound. All under one roof.

Motion design, editing, colour and sound. We turn footage and animation into brand films, campaign creative and content built for the channels in your brief.

Delivery specMeridian15 / Post

3 to 5 days

from receiving footage to a first cut on a 30-second spot, usually. Working days.

Crafts
EditingColourMotionSound designVFXVersioning
Formats
BroadcastWebVerticalSquareStems
Rounds
Three is standard, more if the project calls for it.
Music
Licensed and cleared for any track we put against your work.

Footage comes in from the shoot, ours or someone else’s (see our production work if you need a crew too), gets conformed and cut, then moves through colour and mix before final delivery.

Selected work

Cuts from the room.

The first frame of the cut: the Centennial 33 bottle on its launch site, under Limited Release, Centennial, Blended Canadian Whisky.

Four of our site films on one timeline. The scroll is the playhead.

  1. V1 / 01Centennial 33Launch site film
  2. V1 / 02AirshineSite film
  3. V1 / 03Jesse MediaSite film
  4. V1 / 04Big RockConcept site film
See the full portfolio

Four crafts. One team.

Editors, colourists, motion designers, and sound engineers working off the same brief, on the same schedule.

  • Editing

    Cutdowns, picture lock, and the rhythm work that makes a piece land. Long-form to six-second cutdowns.

  • Colour

    Primary and secondary grading, look development, and matching across shots and platforms.

  • Motion graphics

    Titles, lower thirds, infographics, brand element animation. Designed to move with the cut.

  • Sound

    Sound design, mix, dialogue clean-up, and music supervision. Built for the platform it’s playing on.

Conform to master.

Five steps from raw rushes to delivered files, with checkpoints you actually want to be at. Rushes get conformed, cut to picture lock, graded for a consistent look, mixed for sound, then mastered and exported to whatever spec the platform needs: broadcast, web, or vertical cutdowns for social.

  1. 01

    Conform

    Footage organised, synced, and prepped. Project structured so every discipline can work cleanly off it.

  2. 02

    Edit

    Story cuts, picture lock, and the iteration rounds that get the rhythm right.

  3. 03

    Colour

    Look established and applied across the cut. Matched and consistent across every shot.

  4. 04

    Mix

    Sound design, dialogue, music. Mixed for spec on whatever platform it’s heading to.

  5. 05

    Master

    Final masters, cutdowns, and platform-specific versions exported and delivered to spec.

FAQ

Questions we get asked.

What’s a typical turnaround?

Depends on length and complexity. A first cut on a 30-second spot is usually 3 to 5 working days from receiving footage. A long-form brand film takes longer. We’ll give you a real timeline once we see the footage and brief.

How many revision rounds do we get?

Three rounds is standard, more if the project calls for it. Each round gets consolidated feedback so we’re not chasing notes from four different inboxes.

Do you only edit footage you shot?

No. Plenty of clients shoot with another team and bring us the footage for post. We just need clean rushes, a brief, and any project-specific assets.

What formats do you deliver in?

Whatever you need. Broadcast masters, web specs, vertical cutdowns for social, square crops, audio stems, the lot. Tell us where it’s going to live and we’ll make sure the export hits spec.

Can you handle music licensing?

Yes. We work with library providers and composers, and we manage the licensing and clearance for any track we put against your work.

Do you colour grade to match footage from multiple cameras or shoot days?

Yes. Matching the look across cameras, lighting setups, or footage shot on different days is standard colour work here. The goal is one consistent look regardless of how the footage came in.

Can you cut a rough edit before we commit to a full grade and mix?

Yes. A story cut early on is normal, it’s how we find the right rhythm before picture lock. Cheaper to change a cut than to redo a graded, mixed sequence.

Do you handle sound design and mix, or just picture?

Both. Sound design, dialogue cleanup, music, and the final mix happen in the same room as the edit and colour, so nothing gets lost in a handoff between vendors.

Send us a link and a brief.

A WeTransfer or Frame.io link, what you’re trying to make, and where it’s going to live. We’ll come back with a timeline and a quote.